text and act essays on music and performance
TEXT AND ACT ESSAYS ON MUSIC AND PERFORMANCE
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  • Title : Text And Act Essays On Music And Performance
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Music 5750 Graduate Seminar In Music History Spring 2020

takes tender leave of the topic in text and act essays on music and performance oxford oxford university press 1995 3 47. 13 april 13 17 romantic performance practice 1 grove music online performing practice i. western 7. the nineteenth century b. jerold maelzel s role in beethoven s symphonic

Musicology As Epiphenomenon And

1 see for instance richard taruskin text and act essays on music and performance oxford oxford university press 1995 christopher small musicking the meanings of peiforming and listening middletown ct wesleyan university press 1998 nicholas cook between process and product music andas performance

Three Case Studies In Twentieth Century Performance Practice

text and act essays on music and performance new york oxford university press 1995. 2 most research concerning twentieth century performance practice exists in the form of case studies of individual pieces and deals with issues of analysis and learning to play the repertoire rather than the establishment of

Carl Maria Von Weber S Overture To Oberon A History Of ...

14 richard taruskin the pastness of the present and the presence of the past text act essays on music and performance oxford oxford university press 1995. 10 slower.15 bernard sherman takes the latter position in his study of brahms s orchestral works. by separating recordings into either pre 1946 or post 1946 he

Mu2330 Baroque Performance Practice View Online Academic ...

text and act essays on music and performance richard taruskin 1995 book recommended text and act essays on music and performance richard taruskin 1995 book recommended rhythmic alteration in seventeenth and eighteenth century music notes inegales and overdotting stephen e. hefling 1993

Folger Shakespeare Library Performing Restoration Shakespeare

of performance. charteris 108 w.a.222 227 and w.b.554 564 partbooks copied ca. 1800 with later additions. volumes were used in and probably compiled for the oxford university music room concerts. leveridge s . macbeth music appears in w.a.222 227 and w.b.554 561. charteris 115 w.b.529 copied in the late eighteenth century.

Down With Romanticism Changing Aesthetics In Cello ...

practice in music and performance during the weimar republic ed. bryan gilliam cambridge cambridge university press 1994 37 58. 12 richard taruskin text and act essays on musical performance oxford oxford university press 1995. 13 bruce haynes the end of early music oxford oxford university press 2007.

The Art Of Recording And The Aesthetics Of Perfection

6 eisenberg the recording angel pp. 50 54 r. taruskin text and act essays on music and performance oxford oxford u.p. 1995 both quotations p. 354 see also p. 61n. held namely that a composer s own recorded interpretation is uniquely authori