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Michael A. Arnzen
under review here the artist as monster critic william beard systematically performs a close reading on every film by david cronenberg from stereo 1 969 to crash 1 996. combining explication de texte with what can only be termed auteur criticism beards analyses are refreshingly direct treatments
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case study david cronenberg beard william. the artist a s monster the cinema of david cronenberg. toronto university of toronto press 2001. beaty bart. david cronenberg s a history of violence. toronto university of toronto press 2008. bernardini craig. david cronenberg george a. romero and the twilight of the north american
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the artist as monster the cinema of david cronenberg william beard david cronenberg is best known for the controversial shocking or horrifying aspects of his work. beard argues that the structure of cronenbergs cinema is based on a dichotomy between on the one hand order reason balance and stability and on the
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cronenberg has always attracted serious criticism and schol arship notably william beard s comprehensive study the artist as monster the cinema of david cronenberg toronto university press 2006. but the literature stretches back to piers handling s groundbreaking edited collection the shape
298 Science Fiction Studies Volume 29 2002
the modem fantastic the films of david cronenberg. westport ct greenwood 2000. 218 pp. 24.95 pbk. william beard. the artist as monster the cinema of david cronenberg. toronto u toronto p. 2001. xiii 469 pp. 50 hc. david cronenberg lives and works in toronto where he was born and where he began making films in 1966.
Bibliography Canadian Cinema
the artist as monster the cinema of david cronenberg. toronto et al university of toronto press 2006. berton pierre. organischer horror die filme des david cronenberg. meltingen corian verlag wimmer 1993. pallister janis l. the cinema of quebec masters in their own house.
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beard author of the artist as monster the cinema of david cronenberg describes the organ as a kind of organic spike that lives behind a puckered fleshy orifice in her armpit and which she can drive into her victims while embracing them. if effect she is a vampire. her food sources then develop their own catastrophic side effect
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edmonton metro cinema 2009. 77 pages. non refereed editor with jerry white north of everything english canadian cinema since 1980. university of alberta press 2002 488 xxiii pp. the artist as monster the cinema of david cronenberg. university of toronto press 2001. 496pp. paperback edition with additional chapters 2006 568 pp.